By
Ticketmaster
Sunday, 19 July 2026
17:00 – 20:00
1 Maryland Point
London
Sunday, 19th July 2026 | Cart & Horses, Stratford A night of symphonic grandeur and cinematic metal as the UK's premier theatrical acts converge at the historic "Birthplace of Iron Maiden." PYTHIA London's own symphonic power metal titans return to the capital. Since their debut supporting Tarja, Pythia have been a "power player" in the genre, lauded by Metal Temple (9/10) for their "extreme symphonic power metal" that eschews traditional operatic clichés for a heavier, darker edge. Now fronted by the "impeccable" Sophie Dorman, they bring the thundering riffs of Shadows of a Broken Past and the "enchanting melodies" of their recent Unhallowed trilogy to the stage. Expect a set that Ever Metal describes as a "mesmerising escape" from reality. VANITASSelf-described as "Periphery meets Disney," Birmingham’s Vanitas are the pioneers of "cinematic djent." Highlighted by BBC Introducing as "Ones to Watch," their sound is a maximalist blend of progressive metal and video game-inspired orchestration (think Dark Souls meets Devin Townsend). Following the success of their 2025 EP Journey to the Sun, Noizze UK praised their "instrumental wizardry" and charismatic frontwoman Jade Maris. Prepare for a performance that "rivals bands with ten times the following" (MMH Radio). DEITY & DEVILRYOpening the evening is London’s rising symphonic force, Deity & Devilry. Emerging from the capital's underground, they have quickly made a name for themselves with a theatrical approach that balances epic scale with biting metal intensity. Fresh from high-energy appearances across the UK club circuit, they bring a "loud and heavy" reputation (Club 85) that perfectly sets the stage for a night of metallic storytelling. Venue: Cart & Horses, 1-3 Maryland Point, London E15 1PF
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Pythia was the title of the high priestess of the Temple of Apollo at Delphi in central Greece. She served as its oracle and was known as the Oracle of Delphi. Her title was sometimes historically glossed in English as the Pythoness.
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Vanitas is a genre of memento mori symbolizing the transience of life, the uselessness of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires. The paintings involved still life imagery of transitory items. The genre began in the 16th century and continued into the 17th century. Vanitas art is a type of allegorical art representing a higher ideal. It was a sub-genre of painting heavily employed by Dutch painters during the Baroque period (c.1585–1730). Spanish painters working at the end of the Spanish Golden Age also created vanitas paintings.
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